Mark Salzman’s experiences in China were the inspiration for his first book,
Iron and Silk, which was a finalist for the Pulitzer Prize in non-fiction and received the Christopher Award. He wrote the screenplay for, and starred in, the critically acclaimed film version of
Iron & Silk. His other books include a memoir,
Lost in Place: Growing Up Absurd in Suburbia, and the novels
The Laughing Sutra,
The Soloist, and
Lying Awake. His fiction and non-fiction have been praised for a lyrical style and gut-wrenching honesty. As well, his great sense of humor—so integral to his marvelous ability to tell a story—is a highlight of his public appearances.
Mark Salzman’s book
True Notebooks is a fascinating look at his experiences as a writing teacher at a maximum-security prison for juvenile offenders. Common to each of his works is the theme of how people struggle to reach an ideal but often fall short, and the quiet change that takes place in facing the discouragement and the possibility of never achieving their goal.
As a boy, all Mark Salzman ever wanted was to be a Kung Fu master. It was his proficiency on the cello, however, that facilitated his acceptance to Yale at the age of 16. He soon changed his major to Chinese language and philosophy, eventually leading him to travel to mainland China, where he spent two years teaching English at Hunan Medical College and studying traditional martial arts at their source. In 1985, he was the only non-Chinese invited to participate in the National Martial Arts Competition in Tianjin. Salzman’s cello playing appears on the soundtrack to several films, including the Academy Award-winning documentary
Breathing Lessons: The Life and Work of Mark O’Brien. In 1996, Yo-Yo Ma and pianist Emanuel Ax invited Mark Salzman to join them as guest cellist for part of their Valentine’s Day chamber music program at Alice Tully Hall, which was broadcast nationally on the television program
Live From Lincoln Center.
Mark Salzman is currently at work on a novel involving pre-emptive and uninhibited warfare, divine authority, and escape, and is set in 13th century Mongolia.
Joe Loya is an essayist, playwright, and contributing editor at the Pacific News Service. His opinion pieces have appeared in the Los Angeles Times, Newsday, the Washington Post, and other national newspapers. He frequently comments on politics, religion, criminal justice issues, and other cultural events. In 2000 he was the recipient of a Sundance Writing Fellowship and a Sun Valley Writer's Conference Fellowship. In 2002, he wrote and performed his monologue,
The Man Who Outgrew His Prison Cell, at San Francisco's Thick Description Playhouse. His memoir, also titled
The Man Who Outgrew His Prison Cell, was published in September 2004 by HarperCollins. In 2005, he was awarded a Soros Justice Fellowship to write his next memoir,
The Parole of Buddha Lobo.
www.joeloya.com